1/8/2011 3:36:38 AM
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Section 20: Outdoor Photography Subject: Digital Cameras Msg# 762452
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That was a very good explanation. As an aside, it took me a very long time to understand why ISO carried over from film to digital, and understanding that is critical understanding things discussed in this article. But as I understand digital ISO today it works essential the same as film ISO worked, and results in the same thing--image quality, graininess or lack there-of or digital noise nowadays), and so it was a natural carryover from film. As so the discussion of sensor size was short and right on point. While it may not affect me today as I am a hobbyist pure and simple, and my camera line doesn't even offer a full-frame sensor TTBOMK, and my photo budget considers $2500 a lot of money--if I were choosing I'd go full-frame because it would make my old film lenses once again the focal they are, with no "digital conversion" to allow for smaller sensors. In truth I don't care and it doesn't matter with a TTL SLR as long as you can think in terms of what you are really getting as opposed to what the numbers are on the lens when you put a 35mm lens on a DSLR, but I suppose it bothers some people, especially people who work exclusively with DSLR lens and would find 35mm film lenses annoying to work with. I suppose those people wouldn't mess much with film lenses anyway so I'm blathering on about nothing at this point. I'm very good at that.... |
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For reference, the above message is a reply to a message where: Easiest way to describe a full-frame sensor is to say when you mount a 35 mm lens on it the resulting image is one shot at 35 mm, not 45 or 50 as would be the case with most digital camera today. IOW, the 35-mm equivalent of any lens is the same as the lens. Plenty of links on this -- for example Generally full-frame sensors are on pretty high end cameras, but Canon has one for around $2500 as I recall. Of course, some would say $2500 is high end. |